All Reviews

Piedade / 2018

01 / 09 / 2018 . LuisBaietti, Opera y Ballet
Piedade, ópera de cámara del Colón

Laura Pisani had an enormous performance in the most demanding role of the piece, because the vocal extension that the part demands. She stood out at every moment but particularly with her incisive high notes, and she also gave a great dramatic strength to her character.

By Luis Baietti
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01 / 08 / 2018 . Glosas
A Paixão segundo Euclides da Cunha – Theatro Municipal de São Paulo

Laura Pisani’s exquisite diction was amazing.

By Guilhermina Lopes
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The Magic Flute / 2018

12 / 05 / 2018 . Journal Sentinel
After disruptive week, Florentine Opera sings Mozart’s “Magic Flute”

Soprano Laura Pisani delivered clean, controlled vocals as the Queen of the Night, including a clear, if a bit cautious, “Der Holle Roche,” which is the war-horse piece often known simply as “The Queen of the Night Aria.” The audience stopped the show briefly with applause after the aria and gave her a standing ovation at curtain call.

By Elaine Schmidt
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Piedade / 2017

04 / 09 / 2017 . Ópera desde hoy
Ópera de Cámara of Teatro Colón’s Première

(…) also the eloquence that reaches the woman’s character in Laura Pisani’s voice, whom we knew well as an agility soprano; we find her now with the same easiness but also with greater vocal weight. She was particularly applauded on Friday.

By Enrique Joaquín Sirvén
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Rusalka / 2017

16 / 11 / 2017 . Ópera World
Rusalka in Teatro Colón of Buenos Aires

Very good performance by Laura Pisani, María Belén Rivarola and María Luisa Merino Ronda, as the Nymphs of the Forest (in this version, also aquatic). Ductile, funny, beautiful presence, good voice, precise in the ensembles (which are many for these Nymphs) and very pleasant in the solo passages.

By Christian Lauria
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La Bohème / 2016

july / 2016 . OPERA IN THE WORLD

Laura Pisani offered an excellent Musetta, with clear voice, enough volume and very confident as an actress. She delivered beautiful pianissimi in the difficult second act, which generally are not heard. Great job.

by Alberto Leal
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“LA BOHEME” by the Ensamble Lírico Orquestal

On the other hand, the Musetta of Laura Pisani had refinement, besides an impeccable technique. Her acting talent combined spark and intelligent singing. With notes that flowed effortlessly, she showed grace but was also sensitive to the predicament of the protagonists.

By Graciela de Morgenstern
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Les contes d’Hoffmann / 2014

september / 2014 . TIEMPO DE MÚSICA
“The Tales of Hoffmann” at the Teatro Avenida: A gotic tale

Among the female roles standed out undoubtedly Laura Pisani’s virtuous Olympia, a good interpretation of the mechanical movements combined with a good display of staccati notes and vocal fireworks (…)

by Ernesto Castagnino
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18 / 09 / 2014 . Nivelarte Crítica Teatro
The Tales of Hoffmann – Juventus Lyrica

The soprano Laura Pisani played Olympia and managed herself to captivate the audience who kept watching the development of the automaton character and exploded with an ovation when Pisani finished the aria Les oiseaux dans la charmille.

By Carlos Herrera
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15 / 09 / 2014 . Operasdehoy
The Tales of Hoffmann by Juventus Lyrica

(…) a relevant performance from every point of view of Laura Pisani as the doll Olympia, so fluent that she added high notes to her part at the same time that made a remarkable composition from the physical and characterization.

By Graciela de Morgenstern
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17 / 10 / 2014 . La Gazeta del Progreso
“The Tales of Hoffmann”, by Juventus Lyrica

The Olympia of soprano Laura Pisani was amazing. The crystalline high notes, perfectly projected, powerful and sustained, were accompanied by a range of technical resources, such as the stacatti or the nuances at the moments of declination in the character’s emission (toy that runs out of battery). Her movements as an automaton and the expressions of her face completed an outstanding performance, which received one of the greatest ovations of the evening.

17 / 09 / 2014 . Clarí
The tales of Hoffmann at the Avenida: tragicomic ilussions

(…) there were moments of brilliance, especially the personification of the automaton Olympia by soprano Laura Pisani, tragicomic and exceptional from every perspective.

By Federico Monjeau
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17 / 09 / 2014 . GEOteatral

Laura Pisani, in the role of Olympia the automaton, was undoubtedly the greatest of those shines. A perfect interpretation of the music accompanied by a very convincing fantasy.

By Fernando Johan
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september 2014 . Críticos musicales de la Argentina

Laura Pisani showed out that she has the notes and something else. It was a graceful but refined Olympia, of great lightness and vocal agility.

By Graciela Morgenstern
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2014 September . Opera in the World

Fortunately Pisani has all the conditions the role requires, generating a flawless doll on the vocal aspect- with some high notes, which are not usually added – and a fun and believable character.

By Alberto Leal
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15 / 09 / 2014 . Luis Baietti – Ópera y Ballet

Laura Pisani was an excellent Olympia with remarkable confidence in her high notes, impeccable execution of the fioriture and stacatti and a perfect sense of humor.

By Luis Baietti
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29 / 09 / 2014 . MW – Martin Wullich
TALES OF HOFFMANN, an Offenbach’s Triptych

(…) particularly outstanding was the role of Olympia by Laura Pisani.

By Germán A. Serain
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Medée / Holland, 2014

30 / 10 / 2014 . Opernnetz

Congenial Laura Pisani as Dircé, who despite her glamorous outfits resembled a sister of Medea in her grief and brilliantly solved his scarcely less demanding tasks.

by Pedro Obiera
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30 / 10 / 2014 . De Stentor

Laura Pisani impresses with her aria in the ‘Queen of the Night’ style.

By Maarten Mestrom
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Medée / Bs.As. 2014

30 / 08 / 2014 . La Gazetta del Progreso
“MEDEA”, By Juventus Lyrica

The soprano Laura Pisani made a very good performance as Dircé. Her agile voice, with a beautiful lyrical timbre, begun her part with surprising coloratura, sharp crystal notes and fluidity. Her singing ran throughout the room with remarkable sonority. A silhouette and physical beauty appropriately used in the role was added to it.

30 / 07 / 2014 . Opera Word

Laura Pisani’s Dircé -whom we had already applauded in her memorable Queen of the Night last season- was the perfect opposite side to the tempestuous Medea. Sung with a voice that does not discourage in front of the most demanding coloraturas, convinced and added a new triumph to her career.

By Prof. Christian Lauria
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July / 2014 . Tiempo de Música
“Médée” at Teatro Avenida : Don’t play around with her

A special mention deserves soprano Laura Pisani as Dircé, Jason’s fiancé who dies at Medea´s hands.

By Ernesto Castagnino
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30 / 07 / 2014 . Espacio ADN cultural

Also shines Laura Pisani in the initial scenes as Dircé, the new wife of Jason (…)

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28 / 07 / 2014 . Una Voce Poco Fa

Laura Pisani sang with beautiful timbre, very good line of singing and handling of the coloraturas, transmitting to perfection the insecurities of her character. In addition, she showed a great figure in one of the riskiest moments of the staging.

By Dr. Alberto Leal
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28 / 07 / 2014 . Host News Traveller
Medea gets Juventus Lyrica overcome itself

Laura Pisani is superb as Dircé.

By Rodolfo López
25 / 07 / 2014 . Seen and Heard International
Stark Medea From Juventus Lyrica

Laura Pisani was a clear and contrasting Dircé.

By Jonathan Spencer Jones
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24 / 07 / 2014 . Buenos Aires Herald
Juventus Lyrica revisit Cherubini’s Médée

The cast, led by the powerful, fearsome and eloquent Sabrina Cirera, is strong and bravely overcomes the piece’s vocal hurdles. This is a strong contrast with the lovely, beautifully sung Glauce by Laura Pisani.

By Alfredo Cernadas
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18 / 07 / 2014 . Críticos musicales de la Argentina
Enthusiastic applauses for a successful version

The crystalline voice of Laura Pisani as Dircé- who made a delicate interpretation of the character (…) sounded like a clear but harmonious contrast.

By Andrés Hine
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22 / 07 / 2014 . La Nación
The appropriate ransom of an artist

Laura Pisani as the princess Dircé excelled in the beautiful aria of the first act showing a refined and almost angelic aspect.

By Juan Carlos Montero
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21 / 07 / 2014 . Opera desde Hoy
The present of Medea’s myth through Cherubini’s opera with two protagonists

I was able to observe better not only an unknown work for me but also an unprecedented style at local level. To appreciate the good work of Laura Pisani as Dircé, brief, but with vocal commitment that did not prevent her from “playing” marked actions, far from a comfortable statism to just sing.

By Carla Abruzzo
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19 / 07 / 2014 . El apasionado
Medea, another magic night by Juventus Lyrica

Laura Pisani was a magnificent Queen of the Night -a difficult role in Mozart’s Magic Flute- in 2013. Her voice is crystalline, agile, very sharp and powerful as well, and in this piece she made up the fearful Dircé, whose fears became real as action develops itself. She also stood out as an actress showing that fear.

By Rolando Daniel Castillo
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18 / 07 / 2014 . LUIS BAIETTI – OPERA Y BALLET

Laura Pisani resolved with great beauty her aria, including coloratura and staccatti, and performed very well the frightened figure of the King’s young daughter

By Luis Baietti
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Shell & Festivales Musicales Tour / 2014

06 / 07 / 2014 . Entre Notas (Rosario, Sta. Fe)

(…) The audience exploded in applauses with the Aria Der Hölle Rache of Mozart’s opera ‘The magic flute’ where they could appreciate a very good command of diaphragmatic breathing, a correct dosage of air and a proper use of vowel patterns, aspects that allowed her to sing the most complex passages that the technical difficulty of this piece requires.

By Daniela Demicheli
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22 / 06 / 2014 . El Norte (San Nicolás de los arroyos)

Laura Pisani has an attractive and natural voice to face the chosen repertoire and a delicate-expressive force that was always present.

By Prof. María Ester Perchivale de Tallón
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Die Zauberflöte / 2013

24 / 04 / 2013 . Tiempo de música
“The Magic flute” at Teatro Avenida: Initiation rite

A true surprise,because of some positive but different reasons, were the performances of Laura Pisani as the Queen of the Night and Gabriel Carasso as Papageno, both very young. Pisani incarnated a hieratic Queen, showing scenic confidence and vocal precision, both in the lyrical register of her first appearance and in the devilish coloratura that crowns each of her arias.

By Luciano Marra de la Fuente
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22 / 04 / 2013 . Geo teatral
The Magic Flute – review

The Aria of the Queen of the Night, in the voice of Laura Pisani, painted joy in the whole platea with an execution full of emotion and energy.

By Fernando Johann
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22 / 04 / 2013 . MW Martín Wullich – Culture and entertainment news
The Magic Flute, a valid enchantment

As for the role of the Queen of the Night, a challenge for any soprano, Laura Pisani showed that she can handle the scary scales Mozart wrote for his sister-in-law Josepha Hofer.

By Germán A. Serain
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23 / 04 / 2013 . La Nación
The Magic Flute, a great production

(…) Soprano Laura Pisani in a surprising Queen of the Night, outstanding in her two famous arias of coloratura (“O, zittre nicht” and “Der Hölle Rache”), because of the precision, intonation and superb character- won the ovation of the Première.

By Cecilia Scalisi
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22 / 04 / 2013 . Suite101 – Music and Entertainment
The Magic Flute, W.A. Mozart by Juventus Lyrica in Buenos Aires

Also standed out Laura Pisani as the Queen of the Night that with her high notes achieved a great applause with open curtain.

By Carlos Herrera
23 / 04 / 2013 . La Prensa
Successful production of “The Magic Flute”

The starting season of Juventus Lyrica with Mozart’s „The Magic Flute“ was extremely auspicious with an almost seamless version and from all points of view. […] Laura Pisani (Queen of the Night) showed eloquent singing and solvent agility.

By Carlos Ernesto Ure
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21 / 04 / 2013 . Clarín
Mozart, with economy and audacity

(…) with some surprising performances, as in the case of soprano Laura Pisani in her brilliant personification of the Queen of the Night.

By Federico Monjeau
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19 / 04 / 2013 . operadesdehoy – Blog
Juventus Lyrica presents a notable versión of The Magic Flute

Another fundamental revelation is Laura Pisani as Queen of the night, as if it was not night of premiere and debut, she prevailed vocally and musically in her two great moments. Already in the first one she surprised us with her central register with more weight than that of a light soprano, while she reached the high notes with total naturalness, as well as the cleanness of her coloratura. Thus it is understood that in her second intervention she achieved one of the biggest ovations at open curtain that have been heard in that scenario and in absolute terms in recent times.

By Enrique Joaquín Sirvén
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27 / 04 / 2013 . Ópera Club – Blog

Once again, Juventus Lyrica proves that it is the group off Colón that achieves the best results. […] A whole revelation Laura Pisani as the Queen of the Night.

By Roberto Luis Blanco Villalba
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19 / 04 / 2013 . Opera in the Word
The Magic Flute

Soprano Laura Pisani dazzled as Queen of the Night. Without problems in the high sector nor in the coloratura, she managed herself to stamp a drama uncommon in light sopranos. Excellent performance.

By Dr. Alberto Leal
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21 / 04 / 2013 . Opera Word – International Opera Magazine
Die Zauberflöte’s Mozart Review. Buenos Aires

A separate paragraph deserves Laura Pisani who dazzled with her Queen of the Night sung with a security and beauty of sound to remember. With clear and expressive coloraturas, without dodging the risks and demands and endowing her role with all the dark and hysterical character that the part requires conquered nourished and closed ovations.

By Prof. Christian Lauria
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28 / 04 / 2013 . Seen and Heard International
Somewhat Magical Flute From Juventus Lyrica

Among the other cast members, Laura Pisani’s Queen of the Night must be highlighted for her drama and agility and her ovation was well deserved.

By Jonathan Spencer Jones
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06 / 05 / 2013 . Tribuna musical
“The Magic Flute”, a paradigm of contradiction

This‚ Magic Flute‘ will be remembered musically for two able interpreters: Santiago Bürgi’s Tamino was sung with quality of timbre and fine line, and a new name, Laura Pisani, was notably adept as the Queen, for she solved most intricacies and gave character to the part.

By Pablo Bardin - for Buenos Aires Herald
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